Discover the Louvre Museum: Must-See Masterpieces and Essential Tips for Your Visit
Updated: Feb 5
The Louvre isn’t just a museum—it’s an experience. It’s the kind of place that makes you stop mid-step, jaw slightly unhinged, because you’re suddenly standing in front of the Mona Lisa, and she’s way smaller than you expected. Or you turn a corner and—bam—there’s the Winged Victory of Samothrace, casually being one of the most breathtaking sculptures in existence.
I’ve wandered these halls, lost track of time, and still left knowing I’d only scratched the surface. With over 35,000 works of art, the Louvre can feel overwhelming, but trust me, it’s worth every second. Whether you’re here to marvel at the grandeur of the palace itself, hunt down every masterpiece, or just soak up centuries of history, this guide will help you navigate it all.
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Planning Your Visit to the Louvre Museum
The Louvre is a masterpiece in itself—a labyrinth of history, art, and tourists who suddenly forget how to walk in a straight line. It’s massive. It’s incredible. It’s also a place that requires a little strategy unless you want to spend half your time wandering in circles.
After countless visits—some efficient, some… less so—I’ve learned a few things that can turn your Louvre experience from overwhelming to unforgettable.
Buy Tickets in Advance (Trust Me on This One)
Standing in line for tickets at the Louvre is like voluntarily joining an endurance test you didn’t train for. Skip the stress and buy your tickets online through the museum’s official website. Bonus: You’ll waltz right in like the VIP you are.
Go When Everyone Else Isn’t
Want to see the Mona Lisa without having to elbow your way through a sea of smartphones? Go early—right when the museum opens. Late afternoons can also be less crowded. And if you can, avoid weekends. Paris is magical, but so is personal space.
Download the Louvre App (Your Secret Weapon)
I once spent 20 minutes trying to find the Venus de Milo because I thought I knew where I was going. Turns out, I didn’t. The Louvre app? A lifesaver. It’s got interactive maps, guided tours, and info about every piece of art you’ll encounter. Get it before you go. Your feet will thank you.
Get a Map (Seriously, Just Get One)
The Louvre is 800,000 square feet. It has three wings and enough galleries to make your head spin. Without a map, you’ll either miss half of what you came for or end up trapped in the Egyptian wing wondering if you’ve become part of the exhibit. Grab a physical one at the entrance or download it online.
Consider a Tour (Because Context is Everything)
I used to think self-guided was the way to go—until I joined a tour. Having an expert point out details I never would’ve noticed made all the difference. If you prefer going at your own pace, the Louvre’s audio guides are also excellent.
Have a Game Plan (a.k.a. Don’t Try to See It All)
If you attempt to see everything in one day, you’ll leave with aching feet and museum fatigue. Instead, pick a few must-sees—the Mona Lisa, Winged Victory, the Egyptian treasures—and then wander as time allows. The Louvre is best enjoyed when you’re not rushing.
Take Breaks (Yes, This is Permission to Eat a Croissant Mid-Visit)
This museum is a marathon, not a sprint. There are cafés inside where you can sit, recharge, and enjoy a coffee while absorbing the fact that you’re surrounded by centuries of history. My go-to? Café Mollien—great views, solid espresso.
Wear Comfortable Shoes (Your Feet Will Thank You)
You’ll be walking. A lot. And museum floors? Unforgiving. Skip the stylish-but-painful shoes and go for comfort. This is not the time to break in new boots.
Admire the Pyramid (Because It’s More Than Just an Entrance)
I.M. Pei’s glass pyramid is iconic. Stop, admire, take a moment. It’s a brilliant contrast between old and new, and a reminder that art isn’t just inside the museum—it’s everywhere.
The 20 Must-See Masterpieces at the Louvre
(So You Don’t Wander Aimlessly for Hours)
The Louvre is overwhelming in the best possible way. With over 500,000 works in its collection, it’s the kind of place where you walk in with a plan and five minutes later find yourself staring at a 14th-century tapestry wondering how you got there. Been there. Done that.
That’s why I’ve put together this list—so you can skip the where-am-I moments and head straight for the highlights. These 20 masterpieces are the ones that make every visit unforgettable. The ones that stop you in your tracks. The ones you’ll still be thinking about long after you leave.
Want to explore even further? The Louvre’s Collections Database is a goldmine. (And yes, I’ve spent way too much time deep-diving into it.) But first, start here—because these are the works you need to see.
The Mona Lisa
Seeing the Mona Lisa in person is a rite of passage. It’s also a bit of a sport. I’ve been there elbowing my way through a sea of cameras, dodging a tourist with an iPad, and finally locking eyes with that famous, knowing smile. And yes, she’s smaller than you expect. But the energy in that room? Electric. If you want a less chaotic view, get there right when the Louvre opens or head in late in the day. Otherwise, embrace the madness. It’s all part of the experience.
The Winged Victory of Samothrace
This one stopped me in my tracks. Perched at the top of the Daru staircase, Winged Victory is pure movement frozen in time. You can practically feel the wind against her as she stands tall, headless but still commanding every inch of the space. If you see nothing else in the Louvre (which, let’s be real, is unlikely), make sure you see this.
The Venus de Milo
There’s something about Venus de Milo that just draws you in. Maybe it’s the way she stands in effortless grace, or maybe it’s the mystery—where are her arms? Discovered on the Greek island of Milos, she’s one of the most famous depictions of Aphrodite, and even without arms, she’s flawless. Find her in the Sully Wing and prepare to be captivated.
Liberty Leading the People
Delacroix’s Liberty Leading the People isn’t just a painting—it’s a revolution in motion. Liberty, fierce and determined, strides forward, flag raised high, rallying a ragtag group of revolutionaries. It’s bold. It’s chaotic. It’s everything you want from a painting about the 1830 July Revolution. And if you ever needed proof that art is powerful, this is it.
The Raft of the Medusa
This painting isn’t just big—it’s overwhelming. Standing in front of Géricault’s The Raft of the Medusa feels like being hit by a wave of pure desperation. The detail, the horror, the sheer size—it pulls you in whether you’re ready or not. Based on a real-life shipwreck, this painting captures the moment survivors cling to a raft, lost at sea, caught between hope and despair. It’s one of those works that stays with you long after you walk away. Find it in the Denon Wing.
The Coronation of Napoleon
If drama had a paintbrush, it would have been Jacques-Louis David. The Coronation of Napoleon is massive—literally and figuratively. It’s packed with symbolism, power plays, and a little rewriting of history (Napoleon crowning himself? Bold move.). But standing in front of it, you can’t help but be drawn into the spectacle of it all—the lavish details, the rich fabrics, the sheer theatricality. It’s near The Raft of the Medusa, and the contrast between the two is wild.
The Code of Hammurabi
This one stopped me mid-stride. The Code of Hammurabi isn’t a painting or a sculpture—it’s a set of laws, carved into stone, dating back to 1754 BC. And yet, some of the rules? Strangely familiar. (An eye for an eye? That one stuck around.) It’s mind-blowing to see something so ancient and realize how much of it still echoes in modern law. If you love history, this piece is a must-see in the Richelieu Wing.
The Great Sphinx of Tanis
There’s something surreal about standing face-to-face with a sphinx inside the Louvre. The Great Sphinx of Tanis is enormous, carved from a single block of granite, and its presence is undeniable. It’s been around for over 4,000 years, and yet, it still carries an air of mystery and quiet power. Found in the Sully Wing, this is one of those pieces that reminds you just how much history lives within these walls.
The Lacemaker
Tiny but mighty, The Lacemaker by Vermeer is one of those paintings that makes you lean in, as if getting closer will somehow let you step inside. It’s small—so small that it’s easy to walk right past it. (Which I almost did.) But when you stop and take a moment, it’s mesmerizing. The way Vermeer captures the soft glow of light, the quiet focus of the girl, the delicate threads in her hands—it’s pure magic in the Richelieu Wing.
The Death of Sardanapalus
If drama had a patron saint, it would be Delacroix. The Death of Sardanapalus is chaotic, colorful, and packed with intensity. It’s a visual explosion of rich reds, tangled bodies, and a king reclining in the middle of it all like he has all the time in the world. The energy of this painting pulls you in, and no matter where your eyes land, something wild is happening. If you love art that feels alive, don’t miss this one in the Denon Wing.
The Virgin and Child with St. Anne
I don’t know how da Vinci managed to make paint look like it breathes, but The Virgin and Child with St. Anne is proof that he did. The figures are soft, lifelike, and layered with meaning. There’s a warmth to this piece that makes it feel intimate, despite being a scene that’s been painted a thousand times over. You’ll find it in the Denon Wing, but fair warning: like everything by da Vinci, it has a magnetic pull that makes it hard to walk away.
The Oath of the Horatii
This painting is pure intensity. Three brothers, mid-oath, arms stretched toward their father, who holds their swords. The lighting? Dramatic. The lines? Sharp. The message? Duty above all. Jacques-Louis David didn’t just paint a moment—he captured an entire philosophy. The Oath of the Horatii is one of those pieces that makes you feel something, even if you know nothing about it beforehand. It’s a must-see in the Denon Wing.
The Wedding Feast at Cana
If you ever want to see a lot happening on one canvas, The Wedding Feast at Cana is it. This thing is huge—it takes up an entire wall, and for good reason. Veronese went all out, filling the scene with rich fabrics, extravagant food, and lively guests, all while Jesus nonchalantly turns water into wine. The best part? It sits directly opposite the Mona Lisa, which means half the people in the room don’t even notice it. Their loss.
The Seated Scribe
If art had a way of looking right through you, this would be it. The Seated Scribe is over 4,000 years old, yet somehow, he feels more alive than half the people scrolling their phones in the museum. His wide eyes, slightly parted lips, the way he sits with his papyrus—it's unsettlingly real. Every time I see him in the Sully Wing, I half expect him to blink.
The Fortune Teller
This one? A masterclass in “something is definitely going down here.” The Fortune Teller by Georges de La Tour isn’t just a painting—it’s a slow-burning story of deception. A young man, blissfully unaware, listens to the fortune teller while—just behind him—hands move too close to his pockets. The way the light plays off their faces, the subtle tension, the almost cinematic feel of it. It’s the kind of painting that makes you linger a little longer. Find it in the Richelieu Wing.
The Turkish Bath
Ingres knew exactly what he was doing when he painted The Turkish Bath. It’s hypnotic. The circular composition draws you in, and the details—soft skin, golden bracelets, steam curling in the air—make it feel like you're peeking into a secret world. It’s intimate, dreamlike, and unmistakably Ingres. You’ll find it in the Denon Wing, where it holds its own among some of the Louvre’s biggest hitters.
The Madonna of the Rocks
Leonardo da Vinci didn’t just paint—he built entire worlds inside his canvases. The Madonna of the Rocks is mysterious, shadowy, and filled with that signature da Vinci softness that makes everything feel ethereal. The way the figures emerge from the dark, the almost otherworldly landscape—it’s haunting in the best way. If you want to see a painting that feels like a secret, this is it. Head to the Denon Wing and prepare to be mesmerized.
Psyche Revived by Cupid’s Kiss
There are sculptures, and then there’s this. Canova’s Psyche Revived by Cupid’s Kiss is pure, heart-stopping romance in marble. The way their bodies intertwine, the tenderness of Cupid’s touch, the sheer lightness of the stone—it doesn’t seem possible. Every time I see it; I find a new detail to obsess over. It’s in the Denon Wing, and trust me, you’ll want to circle back for another look.
The Slaves
Michelangelo’s Slaves are unfinished, and somehow, that makes them even more powerful. You can see the figures fighting to break free from the marble, muscles straining, expressions caught somewhere between agony and transcendence. The Dying Slave surrenders, his body limp, while the Rebellious Slave resists, twisting in frustration. Standing in front of them, you get the sense that Michelangelo didn’t carve these figures so much as release them. And even though they were meant for Pope Julius II’s tomb, they never made it there—now they live in the Denon Wing, pulling in anyone who passes by. (Myself included. Every time.)
The Crown Jewels
Walking into the Apollo Gallery is like stepping into another world—one where diamonds are measured in centimeters, not carats, and pearls were once strung together for kings instead of influencers. The French Crown Jewels are the definition of opulence: tiaras, necklaces, scepters, all dripping with enough sparkle to make your head spin. And let’s be honest—who hasn’t imagined what it would be like to try one on? (If only museum security shared that same vision.)
Even More Louvre Tips (Because I’ve Learned These the Hard Way)
Plan Your Timing (Or Risk the Chaos)
Check for Special Exhibitions – The Louvre isn’t just about its permanent collection. Sometimes, it hosts incredible temporary exhibitions—like once-in-a-lifetime rare pieces that aren’t always on display. I always check the schedule before I go because nothing haunts me like realizing I missed something spectacular.
Free Admission Days – Sounds great in theory, right? In practice, it means navigating a Black Friday-level crowd of art lovers and selfie-stick warriors. The Louvre is free on the first Friday of the month after 6 p.m. (except in July and August), but be prepared for it to be very busy. If you’re cool with that, go for it. If not, maybe pick another day.
Accessibility (Because Everyone Deserves a Great Visit)
Accessibility Services – The Louvre does a solid job making sure everyone can enjoy it. There are ramps, elevators, and even wheelchair rentals available. They also offer specialized tours for visitors with hearing or visual impairments, which is something more museums should do.
Family-Friendly Perks – If you’re bringing kids, the Louvre has stroller rentals, baby-changing facilities, and a Children’s Gallery.
Food and Drink (Because No One Wants to Appreciate Art While Hangry)
Nearby Restaurants – If you need a break (you will need a break), Café Marly is right next to the Pyramid and has amazing people-watching. Angelina, just a short walk away, has hot chocolate so thick it’s basically a dessert.
Picnic in the Tuileries – If you don’t feel like spending €15 on a coffee inside the museum, grab a sandwich and head to the Tuileries Garden next door. It’s a great place to rest your feet, soak up some Parisian atmosphere, and avoid spending a small fortune on snacks.
Cultural Etiquette (A Little Courtesy Goes a Long Way)
Dress Code? Not Really. – The Louvre doesn’t require formal attire, but maybe don’t show up in pajamas. It’s Paris, after all.
Keep It Down – Some rooms, like those with religious or historical art, tend to have a quieter vibe. Read the room (literally).
Photography Tips (Because You Will Want to Take Pictures)
Best Photo Spots – Obviously, the Pyramid is iconic, but Cour Carrée has a magical, hidden-gem kind of feel. Also, check out Cour Puget and Cour Marly—both filled with sculptures and bathed in gorgeous natural light.
Respect the Rules – Not every piece of art allows photography, and flash is a big no-no—it can damage delicate artworks. Security will absolutely call you out on it.
Use the Lockers (So You’re Not Carrying Your Entire Life Around)
Storage Facilities – The Louvre has free lockers near the main entrance, and they are a lifesaver. You don’t want to be dragging a huge coat or backpack through the endless galleries—trust me on this one.
Final Thoughts: Why the Louvre is Always Worth It
A day at the Louvre isn’t just a museum visit—it’s time travel, a workout (seriously, wear comfortable shoes), and a deep dive into some of the most breathtaking art in human history. From the Mona Lisa’s knowing smirk to the revolutionary spirit of Liberty Leading the People, every room tells a story. Every turn brings something unexpected.
And here’s the thing: you won’t see it all. You can’t see it all. (Unless you secretly live there. In which case, I have questions.) But that’s the beauty of the Louvre—you don’t have to. You just have to show up, be curious, and let the art do the rest.
So whether you’re an art history buff, a casual wanderer, or someone who just really loves a good sculpture, the Louvre will leave you inspired. And maybe, just maybe, already planning your next visit.
Want more Paris magic? Check out our comprehensive Paris travel guide—because this city has so much more to explore.
11 Most Frequently Asked Questions About the Louvre (From Someone Who’s Been There More Times Than I Can Count)
What are the Louvre’s opening hours?
The Louvre is open every day except Tuesdays (because even world-class museums need a break). Most days, it’s 9 AM to 6 PM, but if you want fewer crowds and a more atmospheric experience, head there on Wednesdays or Fridays when it stays open until 9 PM.
How much is the entrance fee?
A standard ticket is €22, which—let’s be real—is a steal for access to some of the greatest art in human history. Bonus: If you’re under 18 or an EU resident under 26, you get in free. And if you time it right, the Louvre is free for everyone on the first Friday of the month after 6 PM (except in July and August). Just expect it to be busy.
What’s the best time to visit?
Want to avoid elbowing your way through a sea of tourists trying to snap the Mona Lisa? Go early. Like, be there when the doors open. Or, if mornings aren’t your thing, try late afternoons or evening hours on Wednesdays and Fridays when the crowds thin out a bit. Avoid weekends if you can.
Can I take photos inside the Louvre?
Yes! But no flash, no tripods, and definitely no selfie sticks (because no one wants to get smacked in the face while admiring the Venus de Milo). Some special exhibitions might have restrictions, so check for signs.
How long does it take to see the Louvre?
Trick question. You can’t “see” the Louvre in one visit. If you want to do it justice, plan at least 3-4 hours to catch the highlights. A full-day visit will give you a more immersive experience, but even then, you’ll barely scratch the surface. Pace yourself. Take breaks. Have snacks.
Is there Wi-Fi in the Louvre?
Yes! The Louvre offers free Wi-Fi, which is super handy for pulling up maps, using the Louvre app, or posting that I’m-staring-at-the-Mona-Lisa-with-500-other-people selfie.
What’s the best entrance to use?
The Pyramid entrance is the most famous—but also the busiest. If you don’t want to wait in a long line, use the Carrousel du Louvre entrance (via the underground shopping mall) or the Porte des Lions entrance (when it’s open). Pro tip: Book tickets online to skip the ticket queue entirely.
Can I bring food and drinks into the Louvre?
No food or drinks allowed in the galleries (nobody wants a croissant crumb situation near the Raft of the Medusa). But there are cafés and restaurants inside if you need a break, and if you’d rather eat outside, the Tuileries Garden is right next door—perfect for a picnic.
What languages are the audio guides available in?
The Louvre’s audio guides are available in French, English, Spanish, German, Italian, Japanese, Korean, Russian, and Chinese. If you want a more interactive experience, download the Louvre’s app instead—it has maps, curated tours, and background info on the art.
Can I sketch or draw in the Louvre?
Yes! If you’re feeling inspired, you can sketch in the Louvre—but only with pencils (no ink, no paint, no charcoal). Just be mindful of space and avoid blocking pathways.
Are there any Impressionist Paintings at the Louvre?
Surprisingly, the Louvre doesn’t have much in the way of Impressionism—which might seem odd, given that Paris was the birthplace of the movement. But there’s a reason for that: the Louvre’s collection focuses on pre-1848 art, while Impressionism didn’t emerge until the late 19th century.
That said, if you’re hunting for early hints of Impressionism in the Louvre, you might find a few pieces that influenced the movement, like:
Eugène Delacroix’s works – While he was a Romantic painter, his bold use of color and expressive brushwork had a major impact on the Impressionists.
Camille Corot – His dreamy landscapes and loose brushstrokes helped pave the way for Impressionism.
For the real Impressionist treasures—Monet, Renoir, Degas, and the rest—you’ll want to head to Musée d’Orsay instead. It’s just across the Seine, housed in a stunning former train station, and packed with some of the most iconic Impressionist and Post-Impressionist works in the world. If you’re an art lover, it’s absolutely worth the visit.
